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O somma luce剧情简介
《O somma luce》是一部源自法国的戏剧作品，它以独特的方式探索了人性与道德的边界。剧情围绕着一位名叫Giorgio Passerone的角色展开，他是一位充满复杂内心世界的个体，在面对人生的选择和挑战时，展现了人类情感的深度与广度《O somma luce》是一部源自法国的戏剧作品，它以独特的方式探索了人性与道德的边界。剧情围绕着一位名叫Giorgio Passerone的角色展开，他是一位充满复杂内心世界的个体，在面对人生的选择和挑战时，展现了人类情感的深度与广度。豆瓣内容: 转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich1. 玛丽亚（饰），扮演Giorgio的挚爱：“在这个世界上，我们每个人都是一束光，照亮彼此的生命。”2. 保罗（饰），扮演Giorgio的朋友：“你总是能用你的智慧，让生活中的黑暗变得明亮。”3. 艾米莉（饰），扮演Giorgio的导师：“真正的勇气，不在于面对恐惧，而在于理解并接受它。”在这部作品中，Giorgio Passerone通过与玛丽亚、保罗和艾米莉的互动，探讨了爱情、友情与自我发现的主题。每个角色都以其独特的方式影响着Giorgio，帮助他理解人性的复杂性，并最终找到自我价值与生命的意义。《O somma luce》不仅展示了人类情感的多样性，也鼓励观众反思自己的内心世界，以及与周围人的连接。详情
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