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不安分的年轻人们剧情简介
《不安分的年轻人们》是法国电影史上一部经典之作，由让-保罗·贝尔蒙多主演，讲述了20世纪50年代末至60年代初，一群年轻人在社会变革与个人追求之间的挣扎与探索的故事。豆瓣内容: Middle class student Bob Letel《不安分的年轻人们》是法国电影史上一部经典之作，由让-保罗·贝尔蒙多主演，讲述了20世纪50年代末至60年代初，一群年轻人在社会变革与个人追求之间的挣扎与探索的故事。豆瓣内容: Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.帕斯卡尔·普缇饰演的角色在电影中有一句台词：“自由就是做自己想做的事。”这句台词体现了角色对自由的渴望和追求，以及对传统束缚的反叛。安德丽·帕里西扮演的角色则说出了：“爱情，不就是一种疯狂吗？”这句话道出了角色对于爱情的深刻理解，将它视为一种强烈而难以控制的情感体验。雅克·夏里尔饰演的角色有一句台词：“改变世界，从改变自己开始。”这反映了角色对于个人成长与社会变革之间关系的独特见解，强调了个体行动的重要性。这些演员通过各自的角色展现了那个时代青年们的复杂情感与思想状态，影片也因此成为了反映当时社会风貌的重要作品。详情
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